Film’s

The Neon Demon


The Neon Demon es una próxima película thriller de terror estadounidense dirigida por Nicolas Winding Refn y co-escrita por Mary Leyes y Refn. La película está protagonizada por Elle Fanning, Alessandro Nivola, Keanu Reeves, Christina Hendricks, Abbey Lee Kershaw, Jena Malone, Bella Heathcote y Karl Glusman. El rodaje comenzó el 30 de marzo de 2015, en Los Ángeles.

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The Neon Demon Official Trailer #1 (2016) – Elle Fanning, Keanu Reeves Horror Movie HD
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Hot Girls Wanted | official trailer (2015) Netflix Sundance


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Publicado el 30 may. 2015
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official trailer for Hot Girls Wanted
“A cinema verite look at the disturbing exploitative world of amateur porn.” – LATimes. An official 2015 Sundance selection, Hot Girls Wanted shines a light on the thriving “amateur” porn industry through the experiences of five young women in the business.
Produced by Rashida Jones, Hot Girls Wanted is only on Netflix.

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Works of photographer Stephen Roissy + 18 / @TormentaWork

Open Culture “VENUS HUMANITAS” Enter only if you have a brain of 18 years or more. 18 +

https://twitter.com/TormentaWork

Four Horsemen (Cuatros Jinetes) (2011) (La Conspiración Bancaria) (SUBs)


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four-horsemen

Publicado el 1 dic. 2013

CUATRO JINETES es un documental independiente con un impresionante compuesto de información contra la locura de la economía neoclásica y las amenazas que representa para todos. La cinematográfica de “The Economist Renegade” cuenta con una ELITE de los mejores 23 pensadores económicos que levantan la tapa de cómo funciona la economía global de verdad. Viviendo en la era del crecimiento ilimitado y la consiguiente búsqueda de beneficios, han llevado a la humanidad al borde del abismo…
Este preciado documental está libre de la propaganda BANCARIA de los medios de comunicación vendidos a los intereses de estos mismos. La película EXPONE y ACUSA con argumentos a la mafia de banqueros y a los políticos que se dejan arrastrar en esta gran estafa, solo critican vagamente para luego involucrarse en las teorías de conspiración que posteriormente servirán para enriquecerse (ESTAFAS FINANCIERAS).
Se enciende el debate sobre la manera de marcar el comienzo de un nuevo paradigma económico en el mundo, lo que mejoraría notablemente la calidad de vida de miles de millones de personas……

“Why do we live in a world where everyone speaks about freedom and the benefits of that freedom occures to fever and fewer people as capitalism empire concentrates?”

Director: Ross Ashcroft

Actores: Noam Chomsky, Herman Daly, Joseph Stiglitz, Max Keiser, John Perkins, Ha-Joon Chang, Gillian Tett, Michael Hudson, Richard Wilkinson, Lawrence Wilkerson, Satish Kumar, Simon Johnson, Camila Batmanghelidjh, Phillip Blond, George Nelson, …

NOTA IMPORTANTE: Se recomienda ver el inédito documental “INSIDE JOB (2011)” y lo pueden descargar desde aquí:
Formato (MKV)
Tamaño (2.14GB)
Audio (DUAL Español-Ingles)
Subtítulos (SUB Esp-Eng)
Resolución (HD 1280×720)
Enlace: https://mega.co.nz/#!h8MSXZSD!QM6lgSx…

Saludos y avisen en caso de enlaces fallidos para una rápida reposición.

 

The Emperor’s New Clothes Trailer – A Russell Brand & Michael Winterbottom film


Publicado el 27 mar. 2015

Special screenings April 21st followed by AN EVENING WITH RUSSELL BRAND Live event beamed to cinemas nationwide.
BOOK TICKETS NOW: http://scnl.co/TENCBookNow

Fairytale, allegorical
1. Collective ignorance of an obvious fact, or deception, despite undeniable evidence.

World-famous British comedian and activist Russell Brand joins forces with acclaimed director Michael Winterbottom on a polemical documentary about the financial crisis and gross inequality we currently face. Starting with the genesis of today’s economic policies, with the arrival of Milton Friedman’s school of thought in Reagan’s leadership and Thatcher’s UK, the film explores how these policies have come to dominate the western world. The rich have got richer; where a CEO of a major British company used to earn 10 times the average wage of his workers, now they earn 200 times. According to Oxfam, the richest 80 people in the world own as much as the poorest 3.5 billion. It would now take 300 years for the average cleaner, cleaning the offices of his senior boss, to earn the same salary taken home by the same boss last year.

Milton Friedman once said that every crisis was an opportunity. The financial crisis of 2008 should have been a chance to reform the system for the benefit of everyone. But instead, austerity for everyone throughout Britain and Europe was the price to be paid for supporting the financial sector, with £131 billion spent by UK tax payers to keep the financial system afloat, while $30 trillion in support and subsidies went to Wall Street in the US.

Using a mixture of documentary, interviews, archive footage and comedy, Russell Brand takes us from his hometown Grays in Essex, to the heart of London ‘City’ and on to the Big Apple. This daring film will shake up the world by revealing the bewildering truth about how the people at the bottom are paying for the luxuries of those at the top.

Things can change…things do change.

 

Citzenfour: Laura Poitras, Edward Snowden & Glenn Greenwald | Interview | TimesTalks


Publicado el 26 de feb. de 2015

When whistleblower Edward Snowden exposed the National Security Agency’s worldwide electronic surveillance program, it was to Oscar–nominated filmmaker Laura Poitras and Pulitzer Prize–winning journalist Glenn Greenwald. Don’t miss this special opportunity to hear the director of CITIZENFOUR – the film nominated for the Academy Award for Best Documentary Feature – the first journalist to write about Snowden’s revelations and Snowden himself (via live video) in conversation with New York Times media columnist David Carr about the film and the issues it raises. David Carr passed away shortly after this interview. His obituary is available at http://nyti.ms/1vHCHyk

 

David Carr’s final interview with Edward Snowden b4 his death @ Citizenfour press conference

 

Ciutat Morta


SINOPSIS

En junio de 2013, un grupo de 800 personas ocupan un cine abandonado del centro Barcelona para proyectar un documental. Rebautizan el antiguo edifcio en honor a una chica que se suicidó dos años antes: Cinema Patricia Heras. ¿Quién era Patricia? ¿Por qué se quitó la vida y qué tiene que ver Barcelona con su muerte? Esto es exactamente lo que se quiere dar a conocer con esta acción ilegal y de gran impacto mediático: que todo el mundo sepa la verdad sobre uno de los peores casos de corrupción policial en Barcelona, la ciudad muerta.

https://ciutatmorta.wordpress.com/

Cartel de Ciutat Morta

Cartel de Ciutat Morta

CIUTAT MORTA (Documental completo,con subtitulos en castellano)

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Grigori Perelman documentary (with English subtitles)


DEDICADO AL MATEMÁTICO GRIGORI PERELMAN BY PINTOR PAS

 

Publicado el 27/3/2014

Grigori Perelman proved the Poincare conjecture and then refused a million dollar prize. He is the only mathematician who has declined the Fields medal.

The subtitles were made by volunteers and are not part of the documentary. If you need them as a separate file:http://pastebin.com/bL1ccTQQ

Adiós y olvido: ¿Cómo sobreviven los veteranos de EE.UU.? (DOCUMENTAL)


Publicado el 2/10/2014

Perder un ojo por la explosión de una bomba, sufrir daños cerebrales severos por el ataque de un misil, ser acosada sexualmente por los compañeros o quedar gravemente herido a causa de un fuego de artillería son solo algunos casos de entre los miles de personas que arriesgaron su vida en Irak por patriotismo. Estos hombres y mujeres, engañados por sus jefes, compañías de seguros y por sus países, se sienten ahora abandonados. Vea más en el documental: ‘Veteranos de EE. UU.: adiós y olvido’.

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Capitalism Is The Crisis (Full Movie)


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Capitalism Is The Crisis: Radical Politics in the Age of Austerity examines the ideological roots of the “austerity” agenda and proposes revolutionary paths out of the current crisis. The film features original interviews with Chris Hedges, Derrick Jensen, Michael Hardt, Peter Gelderloos, Leo Panitch, David McNally, Richard J.F. Day, Imre Szeman, Wayne Price, and many more!

The 2008 “financial crisis” in the United States was a systemic fraud in which the wealthy finance capitalists stole trillions of public dollars. No one was jailed for this crime, the largest theft of public money in history.

Instead, the rich forced working people across the globe to pay for their “crisis” through punitive “austerity” programs that gutted public services and repealed workers’ rights.

Austerity was named “Word of the Year” for 2010.

This documentary explains the nature of capitalist crisis, visits the protests against austerity measures, and recommends revolutionary paths for the future.

Special attention is devoted to the crisis in Greece, the 2010 G20 Summit protest in Toronto, Canada, and the remarkable surge of solidarity in Madison, Wisconsin.

It may be their crisis, but it’s our problem.

CITIZENFOUR – A film by Laura Poitras


CITIZENFOUR

CITIZENFOUR

 

CITIZENFOUR

Laura Poitras, 2014
USA/Germany | Format: DCP |

Special Presentation

World Premiere

In January 2013, filmmaker Laura Poitras was in the process of constructing a film about abuses of national security in post-9/11 America when she started receiving encrypted e-mails from someone identifying himself as “citizen four,” who was ready to blow the whistle on the massive covert surveillance programs run by the NSA and other intelligence agencies. In June 2013, she and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with the man who turned out to be Edward Snowden. She brought her camera with her. The film that resulted from this series of tense encounters is absolutely sui generis in the history of cinema:  a 100% real-life thriller unfolding minute by minute before our eyes. Poitras is a great and brave filmmaker, but she is also a masterful storyteller: she compresses the many days of questioning, waiting, confirming, watching the world’s reaction and agonizing over the next move, into both a great character study of Snowden and a narrative that will leave you on the edge of your seat as it inexorably moves toward its conclusion. CITIZENFOUR is a major work on multiple levels, and a deeply unsettling experience.

Laura Poitras will discuss the film in one of our free HBO Directors Dialogues on October 11.

Laura Poitras

Laura Poitras

 

Citizenfour’ Trailer Released Ahead Of Laura Poitras’ Edward Snowden Film

Publicado el 10/10/2014

When National Security Agency whistleblower Edward Snowden reached out to Laura Poitras in January 2013, the documentary filmmaker knew just what to do: Make a documentary.

She had recently won a MacArthur “Genius Grant” in 2012 and was already several years into making a film about surveillance in the post-9/11 era when Snowden contacted her under the name “citizen four.”

When she and Glenn Greenwald flew to Hong Kong in June 2013, she brought her camera with her. The result is a film unlike anything done before. It’s world premiere is at the New York Film Festival Friday and will be in theaters October 24th

 

 

How Are Hollywood Films Financed? David Frost & Harvey Weinstein on the Industry (1998)


Film finance is an aspect of film production that occurs during the development stage prior to pre-production, and is concerned with determining the potential value of a proposed film. In the United States, the value is typically based on a forecast of revenues (generally 10 years for films and 20 years for television shows), beginning with theatrical release, and including DVD sales, and release to cable broadcast television networks both domestic and international and inflight airline licensing.

Film finance is a subset of project finance, meaning the film project’s generated cash flows rather than external sources are used to repay investors. The main factors determining the commercial success of a film include public taste, artistic merit, competition from other films released at the same time, the quality of the script, the quality of the cast, the quality of the director and other parties, etc. Even if a film looks like it will be a commercial success “on paper”, there is still no accurate method of determining the levels of revenue the film will generate. In the past, risk mitigation was based on pre-sales, box office projections and ownership of negative rights. Along with strong ancillary markets in DVD, CATV, and other electronic media (like streaming video on demand -SVOD), investors were shown that picture subsidies (tax incentives and credits), and pre-sales (discountable-contract finance) from foreign distributors, could help to mitigate potential losses. As production costs have risen, however, potential financiers have become increasingly insistent upon higher degrees of certainty as to whether they will actually have their investment repaid, and assurances regarding what return they will earn.
Past film slate’s poor performance records are showing up in public court documents. Property and casualty companies (P&C) like AIG had once offered insurance against film slates and the bonds issued to fund them, but now fully refuse to cover film slates. This ended in many lawsuits, starting in early 1999 (with Steve Stabler’s Destination Films $100M bond fund failure and subsequent lawsuit), and continue to this day with Aramid’s lawsuit on Relativity’s Beverly-1-Sony film slate and the Melrose-2-Paramount slate. Citigroup attempted to wrap the Beverly-1-Sony slate with a property and casualty insurance wrapper (from the now bankrupt Ambac Assurance, Corp.). After these “uninsured” slate financing arrangements (SFA) failed to return even the original principal to investors, the market has sought solutions. Traditionally, banks like JP Morgan have an entertainment division that uses proprietary risk mitigation to see if future film revenues can meet an exceedance probability (where in the ultimate revenues allow the loan to break even), but this is calculated guesswork, and has caused all of the major national banks to lose millions in bad loans. An alternative to such loss protection was developed by Geneva Media Holdings, LLC (originally as risk mitigation for affluent individuals and “direct investors” under US tax incentive IRC 181). Fully insured media funds are now being carefully reviewed by risk analysts at major hedge funds, banks and institutional pension plans specializing in investor risk mitigation.

Many outside of Hollywood fail to realize the longevity of film and television after-market income streams. Many commercial films and network television shows will make money for decades. For the investor who pays for part of the negative costs, the time value of money is important. For many movie investors the required rate of return for this “risky” investment may be 25% or more. This means that while there may be TV revenues for an additional 10 years after the movie is released, the PV (present value) of those revenues is diminished by the required rate of return and the time it takes for these revenues to accrue. Ancillary revenues (VOD, DVD, Blu-ray, PPV, CATV, etc.), tend to accrue to the studio that purchased these residuals as part of their overall distribution deal. For many movie investors in the past, the theatrical box office was the primary place to gain a PV return on their investment.
Ryan Kavanaugh of Relativity Media also offers participation in profits to actors, rather than up-front fees, to lower production costs and keep profits protected. Kavanaugh has used data from major studios like Sony and NBC/Universal to build a complex Monte Carlo system to determine movie failure rates prior to production.

http://en.wikipedia.org/wiki/Film_fin…

Image By Michael Vlasaty (DSC_3103 Uploaded by Diaa_abdelmoneim) [CC-BY-2.0 (http://creativecommons.org/licenses/b…)], via Wikimedia Commons

VIDEO: https://www.youtube.com/watch?v=g3yDThJQpUE&list=TLmBwJZMKBai4